Why I’ve Never Liked the US Soccer Team

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… and it’s nothing to do with John Harkes, although he certainly doesn’t help

First off, they look cold. More importantly, the player in front of the ball is Werner Roth, who played Baumann, the German captain in "Escape to Victory."

The year was 1973. The place was middle America. I was ten years old and a by-and-large useful player, certainly  a lively one, on my soccer team. The only professional soccer player I had ever heard of was Pele. I was about to learn of Johan Cruyff, who would become my soccer idol – and I could get my hair to look sort of like his, unlike with Pele. The US Soccer Team, which I didn’t even know existed, was in the midst of a fifteen-game winless streak. Imagine being a ten-year-old soccer-loving boy in your native country and not knowing that you had a national side.

The city near my town was St. Louis. We had our own popular NASL team, the Stars; but I’d never seen them play, though I saw them on the news and vaguely recall hearing the names Pat McBride, Al Trost and Denny Vaninger. Peter Bonetti of Chelsea was the goalkeeper for one season. Still, the Stars were not a topic of conversation in any sector of my limited social circle.

Later when I was in high school, apropos of not much, there was a team called the Jacksonville Tea Men (Archie Gemmill actually played for them). They had moved from New England where you can understand the name ‘tea men.’ We do that in this country, move sports franchises and keep the original nickname even though it no longer worked – Los Angeles “Lakers,” Utah “Jazz.” Tennessee Oilers only makes sense if you introduced some kind of Jed Clampett “bubblin’ crude” imagery. But I digress.

My Hero.

Maybe some little American kid somewhere knew there was a national soccer team; maybe that little tyro had even attended an international match. The following summer I watched on ABC’s Wide World of Sports highlights (which was all we could get) of the World Cup Final between Cruyff’s Holland and West Germany, picking up some new soccer names in the process – Beckenbauer, Adi Dassler, etc. Perhaps I wondered where the USA team was. I am certain that I wondered where Pele was. Our country’s athletes seemed to do OK in the Olympics and things like that. Why weren’t we in the World Cup? Turns out the boys didn’t qualify – and had not for twenty-four years (1950) and would not for another sixteen (1990). A frankly biblical period of time in the wilderness. But did many Americans – particularly children, the fans of the future — even know about it? I suspect relatively few. I had to look it up. World Cup? What World Cup? By the time the USA made it to a World Cup Finals in 1990, I was twenty-seven and already taken.

They might have been the Errol Flynns.

My point – if I may be allowed to make it — is that, even though I grew up playing and loving the beautiful game, I was denied (or failed to rise up and grab) a club to support. Soccer, other than my participation in it, was unknown in my family home. None of my four older brothers played or cared. I spent the bulk of my energy, as regards professional sports, lobbying to be taken to a Cardinal baseball game or an NFL game. When I was fourteen and might possibly have begun to assert myself (like, “Dad, would you please take me, your son, to a professional soccer game in St. Louis?), the Stars up and moved to Anaheim and became the California Surf. Stars would have been fine in this case (Hollywood), but Surf was probably better; although I’ve always yearned for an LA team to be called the Sunset Strips or, even more randily, the Errol Flynns.

And I definitely did not have anything like a national team to clutch to my heart – until the late 70s when I chanced, unfortunately, upon … England.

Wrong song, boys.

In 1977 — about the time Elvis Costello entered my life by turning up on American TV, beginning to play “Less Than Zero,” stopping bizarrely mid-intro and launching into “Radio Radio” — my public TV channel began airing “Soccer Made in Germany,” hosted by the great Toby Charles. Mr. Charles gave us such handy commentating phrases as “that wasn’t far off target;” or “a second bite of the cherry there for Bittcher;” “Mr. Meuser of Ingelheim looks at his watch,” and my personal favorite, in reference to the thundering penalties by Dusseldorf’s Gerd Zimmerman, “he doesn’t care about direction; he just boots it.” When I heard Toby Charles’ voice, I inexplicably pictured Jackie Stewart’s face with his signature, touring cap.

Each Sunday morning for four years I watched a 90-minute match condensed into about 45-50 minutes with time left over for the goals/news of the week from the Bundesliga and world football. On Saturday in the early evening the show would be repeated. I would watch it again, thus beginning my lifelong habit of joyously viewing the same match multiple times even though the result was a foregone conclusion.

Bongartz, Bonhof, Russman, Abramczyk, Fischer, Kargas, Schumacher, Volgts, Simonsen, Schwarzenbeck, Muller, Heynkes. These were my notions of what a real footballer looked like. And one of my favorite aspects of the game was not knowing how much time had been added on by the referee. It was like a secret amount of time after the clock had stopped, like an extra present under the tree. Each mad rush down the field, each desperate volley into the penalty area surely must be the last. But no. The referee continues to watch the weary players, refraining from raising the whistle to his lips. Unbearable, tantalizing, almost sexual tension.

Back then, when very few teams fielded more than one foreign player, the style of play in each European league was distinct. Bundesliga football was clever, surgical and ruthless. English football, I was soon to learn, was madcap, honest and heroic.

Still, no news from Team USA, and, as far as attracting me as a supporter goes, they were running out of time.

In 1977, Liverpool and England’s most exciting player, Kevin Keegan, transferred abroad to Hamburg. Two years later, Tony Woodcock moved to Cologne. These two players, now part of “Soccer Made in Germany,” sparked my interest in English football, still unavailable on American TV.

Become Shilts in only 14 days.

Then it happened. For some reason, Soccer Made in Germany broadcast an English Division One match between Ipswich Town and Nottingham Forest. I remember like it was yesterday. The players who stood out to me were Paul Mariner and Peter Shilton. I now know that both clubs were packed with superb players, famous names, led at the time by immortal managers, Brian Clough and Bobby Robson. The supporters were mercilessly packed into the terraces, their faces five feet from the touchlines. The visuals were irresistible. I was hooked. Not long after, the program featured an international match between England and Scotland – the first time I had ever watched either team. Ray Clemence, Ray Wilkins, Kevin Keegan, Steve Coppell and Trevor Brooking 
for England. Kenny Dalglish, Graeme Souness and Joe Jordan 
for Scotland. This was full-bore, red-blooded stuff – football the way I liked playing it and the way I liked watching it. England came back from one-nil down to win 3-1 at Wembley.

Them was the days, eh?

In the summer of 1982, I was living in Chicago so was able to find bars showing the World Cup. I sought out England matches, which turned out to be spellbinding affairs. What finally captured my body, mind and soul was that the team went out of the tournament without having been beaten. How brave. How unlucky. I was gutted. This was my team. Part of me wishes it had never happened, but I was now an England supporter and would remain until somewhere between 2002 and 2006 when I just couldn’t take it anymore. Actually, the Beckham red card in 1998 was a watershed moment, the beginning of the end when I started thinking, “What am I doing?” But it took me several more years to finally pull the plug. These days, I still adore watching all manner of European football. And although I will watch England in a major tournament (because I watch every match in a major tournament), I no longer consider myself an England supporter. Truthfully, the matches involving the three lions are very close to unbearable in their tedium and predictability. I suspect the same applies for the players.

LOOK OUT, PATRICK!!!!!!!!!!!!!!!!!!!

I am adrift, unmoored. In the last World Cup, when England played the USA in the group stage, I merely sat back and enjoyed myself, caring not at all who won the match. I feel no particular joy when the USA wins nor despair if they lose. I just don’t have it in my blood. Worst of all, I no longer even despise Argentina and Germany. In fact, I actually like them.

I look on at video of my compatriots in bars all over the country going crazy, like their counterparts throughout the world, as the seconds tick away in a tight, frenzied USA match. What I see are people younger than myself, people who were still young and impressionable (as opposed to jaded and twisted), perhaps even children, perhaps yet unborn, in 1990 when the national team appeared in a World Cup Finals for the first time in a generation. I see fans who came of age in 1994 when we hosted the Finals ourselves. Remember? It was 100 degrees in Dallas and Orlando and Andy Townsend’s hair turned blond; Jack Charlton wore a big white baseball hat.

So perhaps I was born too soon to support the USA. Too much happened to me during those lost years of the 70s, 80s and 90s – The Hand of God, Gazza’s Tears, pathetically listening to England matches on a short wave radio.

Looks like they're havin' a good time in there.

I don’t think any of those young fans chanting “USA USA” know who Toby Charles is and what he meant to my generation of soccer enthusiasts. I ponder this as I sit at home in front of the TV, with my family and my dogs nearby, the stadium loudspeakers belting out “God Save the Queen,” and I mutter, “Come on, Eng-er-land!”

Don’t Know Enough Songs from Northern Britain

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I guess I'm just a little too sensitive.

I am voting for five “Scotland” albums for the first Sunday of May @Lpgrp listening session on Twitter. Voting takes place with help from the last.fm site; then we submit our votes as a Twitter message to the LP Group. I missed out on the nomination segment this time. Actually, I believe I have only participated in one or two nominations. Are you adequately baffled?

@Lpgrp is a Twitter music listening, sharing and conversation group that I was fortunate enough to discover and join about a year ago. Although I can best be categorized as fringe, still when I get involved I enjoy it immensely. There is, as in most societies, a hard core of energy that drives the entire camp. I am merely a satellite – literally, since just about every member lives in the United Kingdom and I dwell here in the People’s Republic of Vermont (in whose town, by the way, Brattleboro, Dick Cheney and George Bush would, by decree, be placed under arrest for “crimes against the Constitution” were they to enter).

Anyway, the LP Group. It’s nicely organized and impressively run. Members suggest potential “album” categories. Past categories, for example, have been things like Best Debut Album; Best 2nd Album; 80s Indie; Live Album; Alt-Country Classic – things like that. Then everyone offers nominations. Then we vote for five or so. One album wins, and we listen to it on each first Sunday of the month at 2100 GMT on Spotify. Just before warm milk and cookies for my British friends but an awkward 4 p.m. for me. The peculiar time is one of my many excuses for missing most of the sessions. Thus, the fringe tag.  Finally, and here is the magnificently geeky part of the whole exercise, we hit the play button on our Spotify accounts right at the same time, and we go on Twitter and tweet about the songs as we listen. Our wives must be, or very well should be, overjoyed that these are the worst shenanigans in which their goofy husbands engage. I ask you.

I should probably, before I even look over the list, attempt to name as many Scottish groups as I can. I fancy myself a music person; yet, compared to the mighty individuals in this friend group, I am but dust. These guys (and some women; not sure how many. I know there’s nice Kate the canvassing Gloucester committeeperson) live intensely in their particular music worlds. Most seem to attend performances nearly every week. One man, who has a music blog and contributes to an online music site noted that in 2011 he had attended, if I recall correctly, 300 shows? Maybe more; maybe less. A lot of concerts. Most of the Lpgroup guys (I’ll call them guys) devote much of their summer to the Music Festival scene in Britain. Of course there are many music festivals in America attended by millions of music lovers. The festival scene in the UK, however, seems to me so much more vibrant, I suspect, because the towns of the British Isles are so much more compact than over here and the festivals are a simpler thing to drive or train to. Therefore, they are more – that’s right – “accessible” (a trendy word, like “coalesce,” I rarely deploy). I also suspect, remarked the relatively boring 48-year-old rural New Englander, that the great majority of festival-goers in the USA are under 35 and either took a “road trip, man/dude” or attended a festival in their own region. Music lovers of my ilk, unless they are ultra-committed, are not going to fly, nor are we going to even consider getting off our comfortable Martha’s Vineyard beach chair asses, to Tennessee for the Bonaroo. Tennessee? Are you fucking kidding me?

No way in hell!

Actually, for me, it’s the crowds. Once, I felt I nearly died on Main Street USA in Magic Kingdom during the fireworks because my wife wanted to see goddamn Tinkerbell fly to the castle. I had one of my children (I mix them up) in a stroller (not George Graham but a little push chair) and we were hemmed in by people in wheelchairs and others, like me, who were quietly terrified and pissed off and near collapse and in serious need of a drink. I believe that if I went to a US music festival, the likes of which I see in photos and videos, then I would be, to put it mildly, uncomfortable and possibly acutely disoriented. The ones in Britain, other than perhaps Glastonbury, which seems like an ungodly mob, look like happy fairs with families and older geezers and a bit of elbow room. Again, I am commenting without any personal experience of music festivals (and proud of it). These are my impressions. The last sort of outdoor summer hot, thirsty and fatigued concerts I attended, I think, were the Grateful Dead in the 80s. And I could have easily died a happy man by foregoing those experiences.

Admittedly strange. I communicate with these @Lpgrp guys and they, nearly all of them, attend festivals all summer long, go to shows at clubs yearlong and discuss music every single day. A handful of them appear to schedule their warm-weather lives around the festivals. These music lovers, therefore, seriously know their popular and, more likely, unpopular music. I cannot compete. But I participate and enjoy it and have learned a lot about new bands and a few old ones. Luckily, before meeting these people, I had been reading Uncut since 2001 when my London friend (everyone should have one!) recommended it. So I am not completely at sea, and as a lower-division music snob, I have my opinions and biases.

So Scotland. Of course Orange Juice/Edwyn Collins … Teenage Fanclub …………. Shit, I’m having to pause already. I’m better than this; I really am. Josef K? How about Josef K? You won’t believe this, but I really love Scottish rock. OK. Belle & Sebastian. Franz Ferdinand. I swear to god these are coming from my mind. The above-mentioned are, that I know of, the only Scottish acts in my Spotify playlists. I do need one more because I’m sure Josef K aren’t on the short list. (I discover later that they are) What was Billie MacKenzie’s band? The Associates. No, I don’t even know any Billy MacKenzie songs. The LP Group guys are going to blow me away in this category.

What I am going to do now is look at the long list on last.fm to determine just how dubious is my claim of being even a third-rate music connoisseur. This will be embarrassing but fits neatly with my boasted-about theme, if you will, of “Beginner’s Mind.”

Here we go down the list. The sound you may hear is me smacking the side of my head. Shit!!! Arab Strap. Aztec Camera. Those are only the ‘A’s. Delgados. Who knew they were from Scotland, for god’s sake. Jesus & Mary Chain. Didn’t they emerge early 90s? I had small children. Fratellis. I must put my hands up there. Made a note of them once but never put them on my playlist. King Creosote. Never knew he was Scottish. Simple Minds? Honestly, I never, ever liked them. I don’t care where they’re from. Waterboys, yeah. Long time ago.

Here is a list of all the Scottish bands named of which I am not immediately, knowingly aware. Perhaps I’ve heard their songs, but … you know what I mean. I think it is quite brave of me to admit this publicly. I will use the shame, as a committed proponent of Beginner’s Mind should, as an opportunity to learn and to hear some great music at my leisure:

Admiral Fallow, Ballboy, Martyn Bennett, Bis, Bows, The Burns Unit, Butcher Boy, Lloyd Cole & The Commotions Rattlesnakes, De Rosa , Julie Fowlis, Frightened Rabbit, Geneva, Glasvegas, Goodbye Mr McKenzie, Idlewild, Incredible String Band, Bert Jansch, Laudibus Chamber Choir, Jackie Leven, Pigeon, John Martyn, Meursault, Mount Vernon Arts Lab, Mull Historical Society, Orchids, Pastels, Pictish Trail, Phantom Band, Proclaimers, Alasdair Roberts, Malcolm Ross & Low Miffs, The Royal We, Sexual Objects , Silencers, Slam, Sons & Daughters, Trash Can Sinatras, The Twilight Sad, U.N.P.O.C , Urusei Yatsura , Vaselines, Win, Withered Hand , Roddy Woomble, James Yorkston

This is pretty sad stuff, but it could have been worse. Once upon a time, such a self-realization would have sent me straight to bed. That was then; this is now.

What I think I will do is play it safe with 3 Teenage Fanclubs; an Orange Juice and a Fratellis. I’m actually in the clear here. I mean, Teenage Fanclub are going to win. They will get the votes from the Lpgroup. I know these guys. I know them.

Beginner’s Mind & Ninja Productivity

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Go on, Gwen!

I’ve been reading about how to achieve Ninja productivity – seriously! – through meditation. A problem with which I have battled (and largely succumbed to) through much of my life has been self-doubt. I have allowed my creative energy and, thus, my productivity, to be smote by negative thoughts. Not to blame others here, BUT … we often hear that negative messages and doubt could have been planted in us early on by parents, caregivers and teachers. Mary Jaksch, on her Goodlife Zen blog, suggests that such deflating messages are “so deeply embedded that we are seduced into thinking that they are THE TRUTH about who (we) are, instead of habitual thought patterns that were originally someone else’s idea.”

Those bastards! So they were the ones who did this to me. Well, sounds like something that can be fixed with a bit of hard work and concentration. Also sounds like a job for meditation and yoga.

Mary sees the practice of meditation as a method for “observing one’s mind.” I haven’t heard it put that way before. In so doing, we create the potential to free ourselves by letting go of these prefabricated ideas of who we are. Sounds good to me.

My cup is appropriately empty

Guess what else can be achieved through meditation? You can bust through the “dam of debris” that blocks the steady-flowing stream of your life force. That’s it, right there. My wife and I half-joked (as we do) about that last night while watching an episode of “Downton Abbey.” One of the maids, Gwen, was experiencing self doubt about moving on to a career outside of service. I pointed to the TV and looked, eyebrows raised, at Ellen. She said, “a dam of debris.” Exactly!

I think the combination of learning yoga and meditation (which I am doing) and beginning to learn the trumpet (which I am also doing) could significantly increase my creativity and productivity. Beginner’s Mind. I have it in abundance.

Rock on! ... sorry.

Spot of Bother

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Ellen's bass is trapped in this nondescript, suburban building.

So we train down to New York City on a Thursday for the usual fun fare that happens there; but this time we’re also intending to score an upright bass – hopefully a righteous one. Ellen’s bass has been restored and awaits us on Long Island in some suburb or town called Baldwin. I am only vaguely familiar with Lwon-Geye-lund. Never been to the Hamptons. Saw Van Morrison at Jones Beach in a big, antiseptic, concrete amphitheatre (but with a nice view of a little haw-buh).

As she did regarding my trumpet (which has entered the “got” column), Ellen secured the bass via email. Her desire was for a slightly smaller instrument than those really big ones, something less physically rigorous. The largest of double basses can be a workout, we’ve learned. Ellen does not play the bass, as far as she knows, but is a keen lover of jazz and has long harbored a desire (revealed to me only recently) to play the upright bass. Some things we unearth only after being with a person for a quarter century. My wife is turning ‘a certain age’ this summer; her intent is to take some new things on board. The double bass is one of those.

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Can you spot Salman Rushdie?

Ellen often conducts business in the city. I accompany her most of those times. I will even skip yoga to go to New York (just ask my maharishi). Our daughter moved there last year. We meet her for dinner or drinks or shopping. Ellen and I usually see a film. Many of the films we enjoy never make it anywhere near Vermont cinemas, Albany being the closest venue should we want the big screen experience as opposed to Netflix streaming in front of the fire. We stay in Union Square, which is nestled between the Village and Gramercy and has become our home in the city – much like it has for Salman Rushdie. The neighborhood, to us, is both comfortable and exciting and allows fast access to SoHo, Tribeca and the Meatpacking District – site of Pastis, easily our fallback restaurant. Our daughter can exit the subway at Union Square during her commute between the Upper East Side and her Wall Street stop.

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I saw Lena Olin here once.

I will dispense with the “pedestrian” travel essay and confess that, while we were enjoying a late and sunny outdoor lunch at our trendy brasserie of choice, Ellen received an email from Bob the Online Music Man apologizing that her bass was bizarrely not completed – even though earlier he had said it was. A trip to the city is never really a waste, although this one now sort of was.

We made the best of it:  finished our lunch of oysters, frites, puttanesca (the anchovy pasta; not a passing whore), a half lobster, a nice Beaujolais Cru, and a chocolate mousse.

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It's really better than it looks, the High Line.

Hannah met us and Ellen took her to the new Sephora across from the Gansevoort for lipstick, while I ventured a couple of blocks to explore the High Line pedestrian garden above, I believe, Tenth Avenue. The High Line reminds me of a Tuscan passeggiatta on the ramparts of Lucca’s famous wall. We then saw the Israeli film, Footnote, at the Angelika and ended the evening with jazz and pizza at Arturo’s. The next day found us at Balthazar for a breakfast of eggs both Norwegian and en Cocotte. We then dropped off shoes for repair way up on E. 88th and Lex before lazy shoe shopping at Bloomingdale’s (not my idea!) and a final meal at Union Square Cafe (a Porchetta Sandwich and a Steak Salad) before MISSING our train at revolting Penn Station.

Whose idea was Penn Station anyway?

We’re having the bass shipped. It’s a 5/8th Juzek, by the way.

I’ll Never Walk Alone

The trumpet should arrive today by FedEx. The delivery folks won’t leave it, so someone has to be at the house. My wife, as you know, has been in contact – on the trumpet front – with a man named Tuck from nearby upstate NY. He says he lives in Hudson Falls near something called the Queensbury Hotel.

Tuck has converted a Harry Pedler for me so that I can play it lefty.  Harry took over the Buescher trumpet factory upon the demise of Mr. Buescher. Harry Pedler and Sons are better known for their silver clarinets for jazz professionals. Similarities exist between the Pedlar and the old Buescher in that the “leadpipe goes to the left side of the valve block and the 3rd slide is on the right side.” Well, that explains it.

Tuck has moved the leadpipe to the left and the bell to the right. I thought the bell came down the middle. Whatever. Tuck tells us the trumpet is originally a student horn like an Olds Ambassador, but, with the restoration he has fashioned, the sound is now an even higher quality. I wouldn’t be able to tell, frankly; still, I am thankful. He became chatty at one point and shared that he had come to our Vermont town in the 1980s “to see Billy Bigelow in Carousel.” No way he thought Billy Bigelow was the actor rather than the character in the musical or that Billy was a real person? God only knows.

So Tuck and the boys (he said “we”) dismantled the horn and then they … put it back together — the leadpipe, slides, valve block. All that stuff. He has silver plated the bell and put on some gold leafing in the engraved area.

And here it is. And here we go.

The Key Phrase Here is, “Exotic Self-Lubricating Legume Adjusters”

Ellen’s Search for a Double Bass

From: ellen stimson, Date: Feb 15, Subject: bass

To: Bob (a music man from the Internet)

Hi, I just saw your ad for an old bass. Do you still have it? I am turning [a certain age] this year and have decided it is time to take up an instrument I have always loved. And this one looks lovely. I particularly like the short strings. How much are you asking for it? Best, Ellen

Can you believe this? Ellen wants a bass and I want a trumpet – and we’re just going and getting them and doing it. Or, shall I say, she is doing it and I’m blogging about it – and, of course, puckering up and going “tpptpptpptpptpptpppp” with my lips. Ellen is the best at making things happen in this way. As our kids become adults, they are transitioning from ‘merely enjoying the fruits of her positive creativity and tenacious logic’ to ‘being intimidated and embittered by it and thinking they’ll never be able to support themselves without her’ to ‘calming down and figuring out how to git along for themselves.’ I’ve never quite figured it out myself; but perhaps I do it all right – just not in relation to Ellen’s feats of … whatever you call it.

On Feb 26, Bob (a music man from the Internet) wrote:

That bass is gone; but, in my search for great sounding smaller basses, I “got” a genuine 5/8th Juzek, which might be better.  I had it delivered directly to Barry Kolstein’s shop on Long Island. (Barry Kolstein!) He is completely restoring it; not that it has any structural repairs, just setting it up and fixing the varnish. It even comes with a case. This one is probably a better bass for around the same money. I’d have to contact Barry; but, as you may know, Barrie is the premier bass dealer/repairer in the country — and my friend.

Bob has made “first rights” available to Ellen. An exclusive deal. This double bass, or “upright bass,” is shorter than a 3/4 bass and therefore easier to re-sell, according to Bob, if necessary.  Not only does it have a case, which makes shipping a “breeze,” but it also has a soft cover. That’s important, right? This bass, like the bass Ellen originally acquired about, is an “estate bass” from a “professional jazz player.”

One more thing.  Bob emphasizes that Ellen will be getting a bass “serviced by Barrie Kolstein.” His bridges are “adjustable” and made of “seasoned maple” with “exotic, self-lubricating legume adjusters.” Say no more.

These are heady days.

My Kingdom for a Horn

The Trumpet and Upright-Bass Saga Begins

From: Ellen Stimson Sent: Feb 29, 2012 To: Tuck Tellier Subject: trumpet

Hi, I am hoping you can help. My husband would like to take up the trumpet but he has only a left hand. I have been researching and reading around about soldering pinky rings etc but have no real concrete idea of what they are saying. As a restorer, perhaps you might know just what we need. He has a small right hand that is more just the end of his wrist … no fingers. Can you help direct us to a purchase? Thanks, Ellen Stimson

So in the past year, I have taken up yoga and recently began my second job in education, teaching English, Social Studies and Home Ec skills to teen moms (I spent the last four years in my first teaching job at a small, independent school). Now, most astonishingly, I am about to embark on learning the trumpet. My wife Ellen, even more remarkably, is going to learn the upright bass. If Eli learns the piano, about which he has expressed mild interest, then we might have the makings of a jazz “combo.” We are truly mad!

The initial trumpet talks surfaced more than ten years ago when I first revealed my secret, musical longing to my wife, during a vulnerable sequence, on a romantic weekend in New Orleans. Of course, it had to be in the Crescent City, surrounded by non-stop jazz, eat and drink. We had just purchased a Doc Cheatham CD within view of Jackson Square. But, as is my way, those ten years needed to elapse before anything serious was done about it. Same with the yoga. Ten years ago, I thought, “I’m not happy with my breathing.” But it took ‘attempting to tread water in a pristine pond on Martha’s Vineyard’ to result in my mentioning it to Ellen, who immediately ordered private yoga lessons to help expand my diaphragm – as it were.

So, the trumpet – my trumpet – will be a redesigned, in fact magnificently enhanced, Harry Pedler. Sounds like a pub – The Hairy Peddlar. (Thought of another nice pub name while watching a Manchester United match a couple of weeks ago – Nani’s Cross.)

A very nice-seeming man named Tuck, who lives in not-too-far-away Glens Falls, New York, over in the direction of Saratoga, is doing a retro fit on a trumpet so that I can play it lefty. Ellen says, ‘of course his name is Tuck.’ I don’t know what she means, really, but, perhaps that he is tucking certain alterations into the instrument. I am certain that Ellen would not particularly warm to a man who ‘tucked’ his penis between his legs, much preferring, it must be said, those of us who are ‘out there.’

On Mar 1, 2012 Tuck wrote:

Good evening there Ellen, Glad to hear that your husband would like to play the trumpet.  Yes, it may be difficult to change one to a “lefty” horn but it is possible.  I have a couple of ideas.  We could take a regular trumpet and install a finger ring on the left side instead of the right side for holding it better.  Also we might be able to reverse the horn from right side to the left side.  I have one particular horn that we may be able to transform. At any rate just let us know if you want us to do one or the other and we will give it our best.  Sounds like fun! Tuck

And we’re off. I’m getting my own horn.

Three Cheers for the Parker Appointment

Cut from the same cloth.

Well, England lost to Holland as expected. But the result really does not matter. And a draw, which appeared possible after the nil-two “fight back,” would not have changed the notion that the Dutch were the stronger and more composed and talented of the two contestants: Robben, Schneider, Van Persie, Van Bommell, Kuyt, Van der Vaart (don’t believe he played), Huntelaar. All big names who actually produce consistently for their country — unlike England’s big names, most of whom, as I’ve said, must be dropped.

Wouldn’t it be daunting to be the England manager and mournfully consider the dearth of world-class players available for selection. Capello, poor man, certainly was at a loss. At the World Cup, we watched him disintegrate on the touchline into uncharacteristic madness. Imagine being used to having at one’s disposal the likes of Maldini, Baresi, Raul, Sergio Ramos, Totti and Del Piero. Then, suddenly, you’re having to choose from among Gareth Barry, Stewart Downing, Emile Heskey and Glen Johnson.

I'm not saying that this will be the easiest party we've ever attended.

Back to Stuart Pearce, the caretaker manager who resembles Edward Fox as Lt. Gen. Horrocks in A Bridge Too Far (those were the days of British daring do), the former heroic left back has made a brave and thoughtful good start to his tenure. He may be replaced before the Euros; yet he has laid a part of the foundation needed for England to somehow emerge from their group. Selecting Scott Parker as captain demonstrates passion allied with good sense. Parker is the man for the job for myriad reasons — the best of which being that he is not John Terry and that young players will and should follow his example.

Notes: As much as I admire Leighton Baines going forward, what in god’s name was he thinking allowing Robben onto his left foot just outside the six-yard box. Good grief!

Other than Barry and Downing, I believe the team out on the pitch represented the present and future of English football, although Sturridge — as superb as he can be at times — is a worry. Jagielka should get in there once fit. Ashley Cole is a must — one of the best left backs in the world, and Gerrard has the opportunity to show what he can do (again) at this level. Pearce or whomever comes next should attempt to give Jarvis and Oxlade-Chamberlain a look.

Keep Lampard, Ferdinand and Terry out. Get rid of Barry, Downing and Glen Johnson.

Two Down. (At Least) Two to Go.

Be gentle with me, Mesut.

First of all, let me express my considerable satisfaction at the fact of Ferdinand and Lampard having been left out of the England squad for the upcoming friendly with Holland. That is an excellent beginning for fashioning a young, fast and hungry squad for Euro 2012. That so-called “golden” generation, of which those two are part, has badly let English football down for the last nearly 14 years, beginning with the Beckham red card. All hype; no heart. That could change with a clever and brave squad selection for the European Championships. Terry is out injured, which is also a fortuitous state of affairs and immensely agreeable to me. He is an embarrassment to English football – a sleazy, unsavory character who surely brings down the morale and fighting edge of the entire squad. Barry ought to be next to go. The World Cup quarterfinal humiliation to Germany should have been his last match in an England shirt. When he all but quit (see photo), allowing Mesut Ozil to breakaway, and then jogged back as Germany put the match away with a fourth goal, he should have been pulled off. Stuart Pearce, then the assistant manager, could not have been blamed for walking onto the pitch and tearing the shirt from Barry’s body.

Pearce displays a nice bit of sense as well with the inclusion in defense of Cahill, Phil Jones, Smalling, Baines and Kyle Walker.

Other differences between the caretaker manager’s selections and my selections (which, admittedly, count appreciably less) include choosing, inexplicably, Glen Johnson. I can only hope that, if not just coming back from injury, Jagielka would have been included at Johnson’s expense. Pearce also picked an extra defender in Micah Richards, who sits on the bubble for my 23-man squad. Can one sit on a bubble?

Pearce has a far different midfield than mine with Barry, Cleverley (who might be there because Wilshere is injured), Downing and Adam Johnson (whom I’ve never seen do really much of anything). Theo Walcott? Are you kidding me??? We agree on Milner, Ashley Young, Parker and Gerrard. Scott Parker would be my captain for his grit and industry. And he’s pretty darn handsome.

I would pick DeFoe for the Euros; however, I’ve never seen Frazier Campbell play. I will watch him; though is he any more than another Walcott? I honestly don’t know. Or, as Francis Urquart would say, “I couldn’t possibly comment.”

So, if Pearce were, as I advise, to dump Barry, Downing, Adam Johnson and Theo Walcott and replace them with Jarvis, Oxlade-Chamberlain and an extra striker in Andy Carroll (since Rooney will miss the first three Euro matches); then his and my squads would be similar. I am encouraged. And I am glad Capello has gone, much as I admired his historic success at club level. That was a failed experiment; and it will be a long time before England again pick a foreign manager.

England squad v. Holland

Goalkeepers Scott Carson (Bursaspor), Joe Hart (Manchester City), Robert Green (West Ham United)

Defenders Gary Cahill (Chelsea), Ashley Cole (Chelsea), Leighton Baines (Everton), Glen Johnson (Liverpool), Phil Jones (Manchester United), Micah Richards (Manchester City), Chris Smalling (Manchester United), Kyle Walker (Tottenham)

Midfielders Gareth Barry (Manchester City), Tom Cleverley (Manchester United), Stewart Downing (Liverpool), Adam Johnson (Manchester City), Steven Gerrard (Liverpool), James Milner (Manchester City), Scott Parker (Tottenham), Ashley Young (Manchester United), Theo Walcott (Arsenal)

Forwards Darren Bent (Aston Villa), Fraizer Campbell (Sunderland), Daniel Sturridge (Chelsea), Wayne Rooney (Manchester United), Danny Welbeck (Manchester United)

My 23-man squad (posted one month ago)

First 11 for Euro 2012 Group Matches:  Defoe, Wellbeck, Sturridge, A. Young, Wilshere,
Parker (capt),
A. Cole,
Jagielka,
Cahill,
K. Walker,
Hart

Rooney (available after suspension), Carroll, Bent,
Jarvis,
Milner,
Oxlade-Chamberlain,
Gerrard,
Smalling,
P. Jones,
Baines,
Goalkeeper B,
Goalkeeper C

on the bubble

Jordan Henderson

Michael Carrick

Micah Richards

Adam Johnson

Jack Rodwell

Big names not picked:

Terry, Lampard, Ferdinand, Barry, Glen Johnson, Lescott, Walcott, Crouch, Lennon, Joe Cole, Carlton Cole, Dawson, King, Upson

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